Honestly, I’m still trying to work out if Bottoms is the best or worst movie I’ve seen this year so far. The tonal whiplash, the...

One of the biggest stains on my record as a music journalist is how late I was getting on board with indie-pop band Muna. Their third...

Do you like vapid Hollywood indulgence? If so, this new Slayyyter record might be the album of your dreams. To describe Starfucker in...

The way Taylor Swift commands an audience needs to be studied. Even through an IMAX screen her charisma shines through. Any attempt to...

Pre Midnights, 1989 was my favourite Taylor Swift album. The razor tight hooks, the emotionally charged songwriting, the gleaming...

At some point (I trace it to around 2016) popular movies and popular music stopped being fun. Optimism descended out of fashion, and was...

Startlingly strong for a directorial debut, Talk To Me is the kind of rare horror movie that heightens the senses long after walking out...

Watery dream pop meets industrial hyper-pop. Do I even need to say more? It’s an unlikely combination, but when Yeule balances out the...

This new Madison Beer album is a textbook example of a songwriter finding a lane and sticking to it. The formula is certainly workable,...

For Mitski, love and death are intertwined within each other. Opposite ends of the spectrum, but equally inevitable. For every love song...